In Taste of HoneyWonderful quote -- On connections between actors: "Chemistry? Chemistry? We're actors, not bloody pharmacists." - Halliwell's Filmgoers Companion
We are a team who loves films and everything about them....
In Taste of HoneyWidmark stayed within a narrower, more realistic range. He told me in 1968 he treasured his work with the great John Ford in "Cheyenne Autumn" (1964) and "Two Rode Together" (1961). "I'm glad I got him as a director at all," he said almost wistfully. We were speaking at the time of the ascendency of James Bond, and he defended his own pure, straight-ahead film noir: "I have this kind of nostalgia for crime films," he said. "I think we've about exhausted the fancy angles and trick cigarette lighters. Hollywood developed the crime film almost into an art over the years, and it hurt me to see all that work thrown away on spoofs and put-ons."
The brainchild of 19 Entertainment President Nigel Lythgoe, BritWeek first took place in 2007. In conjunction with the British Consulate, a number of movie screenings, music concerts, a fashion show and other events were held at the Consul General’s Residence and elsewhere.
BritWeek2008 will be on a far larger scale. Commencing with Receptions at the British Consul General’s Residence on April 24th and April 26th and continuing into May 2008, it will celebrate the cultural and business connections between Britain and Los Angeles.


"...The balloon will soon hover closer to the ground, as will the film, which centers on a handful of characters joined together in love and no small amount of confusion, much of it churned up by Suzanne. One of the most vibrantly alive and true characters in Ms. Binoche’s career, a résumé inundated with melodramatic tears, Suzanne invades the film like a hurricane, a riot of colors, textures, patterns and words. She’s terminally distracted and buzzing with fury (at her estranged lover, at her neighbor), one of those bruised souls for whom every slight contains the threat of a larger drama. A professional puppeteer, she seems most at peace only when she’s giving grave, gravelly voice to one of her creations.